A Historic Home in Beaumont, Texas
Current Visitor Center Exhibit
Ida Caldwell McFaddin and her daughter Mamie McFaddin-Ward inherited certain fashion accessories, but they also followed the trends of their respective times. Clothing and accessories from 1880 to 1919 are shown in the exhibit as well as those from 1920 to 1959. Though made of various precious materials, all are shining examples of jewelry from the turn of the 20th Century.
The McFaddin-Ward House has recently installed two new display cases that will allow visitors to get closer to objects than they’ve ever been before. Brilliant, cool lighting in the cases highlight details of beads, gemstones, and craftsmanship. They sit below large portraits of Ida Caldwell McFaddin, the first lady of the house, and her sister, Ouida Caldwell Watts, who frequently visited. Future exhibits will often showcase items that belonged to the two. On exhibit now are “Purses and Accessories” that range in date from around 1900 to 1960, some engraved with the sisters’ monograms. We invite you to come and experience these objects like you never have before!
Beaded gold and turquoise purse, tassel trim, c. 1920
Metal necklace with blue speckled glass beads, c. 1920
Beige and white beaded clutch purse, by Jolles, c. 1940
Embroidered and beaded purse with brass closure and chain, made in France, c. 1930
Petit point purse, brass closure and chain, c. 1930
The McFaddin-Ward House was built in 1905-1906 in a Beaux-Arts Colonial style. Its furnishings and décor reflected the lifestyle of the family that lived there for seventy-five years. The family collected objects and chose to live with things they liked. This reflected their tastes and the changing trends of the times. Some objects they chose were more classical and others more humorous or trendy. In this exhibition case we feature some of each of these types.
Fan, dyed and woven raffia grass on metal frame, date unknown
Dog (Spaniel), glazed earthenware figurine, Staffordshire, England, ca. 1920
Bronze, Chinese style Cloisonné vase with Tao-tieh mask design, ca. 1900
Since ancient times, coffee was said to have healing properties. After-dinner coffee was thought to assist digestion, enhance endurance, and act as an antidote for inebriation.
The Middle Eastern custom of drinking very hot, black coffee in small cups traveled to Europe along with the beverage, in the 17th century. It was the French, in the 1800s, who originated the demitasse and turned after-dinner coffee drinking into an art. Demitasse means “half-cup.” The cups are, typically, half the size of a regular coffee cup, holding two to three ounces of beverage. The smaller size facilitates the drinking of strong, after-dinner, specialty coffees, such as espresso, cappuccino and Turkish coffee. Tea may be served in demitasse cups, but they are really meant for coffee.
Certain rules of etiquette are followed for after-dinner demitasse serving and drinking. The coffee is strong and always served black. Cream is not offered and should not be requested. Sugar, however, is permissible. Demitasse cups are always used. These are placed on a matching saucer and accompanied by a demitasse spoon. Only one cup of coffee is served, and it is not polite to ask for a second.
The coffee can be served to guests several ways. Cups can be brought in, unfilled, by a butler. A second butler brings the coffeepot. Each guest is offered a cup, which is then filled. The coffee can also be poured in the kitchen or butler’s pantry and served to guests on a tray by a butler. A less formal way of serving is to have the butler place the coffee and cups on a tray. This is then placed on a coffee table in front of the hostess. She pours the coffee, and the butler takes each cup to a guest. On occasion, a liqueur can be offered with the coffee or after the coffee has been taken.
By the 20th century, any woman who entertained, formally or informally, would have owned demitasse sets and served after-dinner coffee. Ida Caldwell McFaddin and Mamie McFaddin Ward owned numerous demitasse sets and spoons. The sets in our collection contain from four to twenty-four cups and saucers each. There are a few individual cups, suggesting a special find on a shopping trip or perhaps a souvenir purchased on a vacation, or a gift given by a friend. Although the sets are in very good condition, they do show the wear expected from frequent use.
The exhibit, currently on view at the McFaddin-Ward visitor center, features twenty demitasse cups, sixteen matching saucers and eleven spoons. The variety of patterns and styles would certainly have assured Ida and Mamie of having just the right demitasse for any occasion.
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The McFaddins collected a lot over their years spent in the house, including many pieces destined for the two dining areas of the home.If you’ve visited the museum, you’ve seen examples of these lavish tablescapes, often set with exquisite pieces of china, silver, cut glass, and others.
A new exhibit at the McFaddin-Ward House Museum’s Visitor Center is showcasing a few items that brought color and playfulness to these elegant table settings.
“Lively Tableware” features food-themed serving pieces from a variety of countries, including Japan, Czechoslovakia, Italy, and the United States.
These colored glass marmalade jars were made around 1918, by the Steuben Glass Company in Corning, New York. They were given to Mamie and Carroll Ward in 1919, as wedding gifts.
They were produced about the same time the Steuben Glass Company was purchased by the Corning Glass Works. At that time, Corning halted all production of the Steuben’s colored glass. It wasn’t until 1921 that production began again, but was stopped completely in 1933.
This ceramic fruit was probably produced in the Italian town of Bassano del Grappa, located in the northeast Veneto region. These pieces are marked only “Italy,” but are almost certainly products of Bassano del Grappa potters, probably dating from the 1920s or 1930s.
The town is very old, dating back to at least the 2nd century. In the 15th century, it developed a community of artisans noted for their work in wool, silk, and especially ceramics. These fruit pieces are indicative of that thriving industry.
There are many other pieces on display. The exhibit is located at the Visitor Center, located at 1906 Calder. It can be viewed anytime the museum is open, and will be on display through May. Come by and check out the “lively” pieces!
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Do you enjoy shows like Downton Abbey and wonder how many families enjoyed such opulence? The McFaddins lived the glamour of the Edwardian period and we have the family stories and artifacts to learn about their lifestyle of luxury. From fine dining to festive clothing, the McFaddins lived what we see on popular shows of today.
Ida McFaddin’s velvet coat and skirt trimmed in chinchilla was suitable for traveling in colder areas, like her hometown of Huntington, West Virginia. The suit dates to sometime between 1912-14, and was a typical type of fashion for women of society.
The velvet suit’s details were created by hand.
The McFaddins enjoyed “a la Russe” dining, just as the family did on the popular television show, Downton Abbey. “A la Russe” involves a butler or maid serving each dinner guest from a platter around the table. The porcelain dinnerware has Ida Caldwell McFaddin’s monogram and was made by the F. Shultze Company in Cincinnati, Ohio.
The Baltimore Rose pattern was created by the Stieff Company in Baltimore, Maryland. The McFaddins entertained formally and often and would have used a proper setting such as this for meals served to guests.
This Edwardian frock had elaborate and colorful hand stitching and beading. Many society women of the time would have had their dresses and gowns custom made for them. Ida McFaddin preferred dresses by Madame Dunlevy, a noted seamstress in Cincinnati, Ohio. On trips home to Huntington, Ida would often stop in to choose fabric and style, and the seamstress would design the new dress in time for Ida’s return trip home. Ida would go in for the final fitting, and the shop would ship the completed garment to her by train.
We are all familiar with the stories of World War I and their global impact, but have you ever wondered what contributions were made in our hometown? World War I: Home and Away, an exhibit by summer intern Arthur Garrison focuses on Southeast Texas’ contribution to the war and specifically those of the McFaddin family.
Ida McFaddin was certified to instruct volunteers on preparing surgical dressings for the Red Cross. Many local women contributed to the war effort by volunteering for the cause.
Ida McFaddin’s surgical dressings war manual was used both while in training and when instructing her volunteer groups.
Red Cross packages would have included an assortment of surgical dressings and bandages, as well as cigarettes, candies, and other morale boosters.
Both of Mamie McFaddin’s brothers, as well as her future husband, Carroll Ward, enrolled in the military during the war. Carroll enlisted in the United States Army Air Service.
In the last century, the tradition of writing was the main way to keep in touch with friends and family over long distances. Some writing implements and accessories from this era lent a certain luxury to this important social ritual that we relish, even today.
A dedicated letter writer, Ida McFaddin kept up with communication trends, and in the 1930s she purchased this portable Royal typewriter.
We can almost imagine Ida McFaddin, impeccably dressed, sitting at her writing table to compose a letter on her Royal typewriter. As she would have wanted everything “just so,” we envision her there with this cup and saucer filled with perfectly-brewed tea. Crown Staffordshire China Company, Ltd., Burslem, England.
The act of sitting down to write a letter may be somewhat lost on younger generations, but we history-lovers cannot help but smile when a hand-written note comes in the mail on beautiful stationery. This hand-embroidered Montag writing paper belonged to Mamie McFaddin. Montag paper was popular during the 1950s and 60s and was often given for special occasions, or even Christmas.
No writing desk was complete without a beautiful pen. This Waterman’s fountain pen, ca. 1920-30, had a metal “lever filler” on the reservoir.
This postal scale, ca. 1950, was made in England. Back before dashing off quick text messages or emails was possible, letters–oftentimes, very lengthy–were written, especially if there was a lot of news to include; often they took more than one stamp. This postal scale had counterweights that indicated the weight of the letter, letting the writer know how much postage to use to ensure that it reached its destination.
Our summer edition of Tried and True: Traditions of a Southeast Texas Family, features some exciting details, including the winning place setting from our Click to Curate campaign. The exhibit, which includes Dresden, will be on display through November.
Dresden was made by the Saxonian Porcelain Factory, ca. 1920, in the town of Freital just outside of Dresden, Germany. The dining table, set in Dresden china, Baltimore Rose silverware, and cut glass, looks as if the McFaddins were about to walk in at any moment for dinner.
The butler’s pantry is set with the domestic employees’ preparations for the next course in both adjoining rooms. Here, aqua Blenko sherbet dishes, ca. 1930, perfectly match the luncheon set in the breakfast room.
The Dresden coffee service, set on a silver tray, is nearly ready to be taken in the dining room for the dessert course. The book, Coffee and Waffles by Alice Foote MacDougall, contains coffee trivia and household tips.
The appliqued, embroidered, cutwork tablecloth is the perfect backdrop for the Blenko luncheon place setting.
The tablecloth, ca. 1930-50, with appliqued flowers and leaves in delicate pastels, harmonizes with the room’s nature theme.
The scalloped-edge cotton and linen napkins match the tablecloth.
The blown-glass Blenko finger bowls were used for diners to rinse their fingers between courses.
Delicate doilies used beneath the finger bowls are decorated with a cross-bar hemstitch design.
Blenko wine glasses coordinate with the breakfast table’s finger bowls, iced tea glasses and place settings.
Blenko cocktail glasses were used for serving after dinner drinks.
Here in the library, Mamie would spend evenings relaxing, listening to the radio, and reading. She frequently consulted etiquette books to keep up with the latest trends in hospitality.
The sun porch’s informal atmosphere was the perfect place to spend leisure time. The Wedgwood hunting scene tumblers, ca. 1910, were likely used to serve a cool beverage, especially in the hot summer months.
The Gloria swinger clock, was manufactured by the Ansonia Clock Company in the early 20th century.
A conscientious hunter like Carroll Ward kept his guns maintained, using a gun cleaning kit like this one. This kit was manufactured by J.C. Higgins company.
The McFaddin “guys” enjoyed evenings in the billiard room, many times kicked back with a beer and a smoke, listening to the latest songs on the phonograph.
The game table is set up as if the boys are about to play block dominoes. The black “pips” are made of ebony and are set in ivory.
These stoneware and pewter beer steins were made in Germany around 1920.
To see the rest of the summer exhibit, see our tour information page or call (409) 832-2134 for reservations.
In the early twentieth century, the wealthy employed large numbers of people to support their lifestyles. These working people were essential, both for their service, and for the status they brought to their employers.
Visit the carriage house for a step back in time! Tour the servant’s quarters and see how one of the McFaddins’ domestic employees lived. Explore the upstairs exhibit, The Supporting Cast, to learn about all the people required–mostly behind the scenes–to make the McFaddins’ lifestyle possible. The displays tell their stories–like that of Buck Sam, pictured left, the McFaddins’ farm manager, who brought the family produce daily.
Along with the history learned, guests will see the architectural ingenuity in the building’s construction, the fabulous cars driven by Mamie and Carroll Ward, and a carriage that dates back to 1908. According to the American Alliance of Museums, the carriage house is one of the best preserved in the country.